Wednesday, 9 July 2008

DJ Shadow

DJ Shadow   
Artist: DJ Shadow

   Genre(s): 
Electronic
   Rap: Hip-Hop
   Trip-Hop
   Dance
   R&B: Soul
   Instrumental
   



Discography:


The Outsider   
 The Outsider

   Year: 2006   
Tracks: 17


One Night In Bangkok   
 One Night In Bangkok

   Year: 2005   
Tracks: 1


Funky Skunk   
 Funky Skunk

   Year: 2005   
Tracks: 1


Live!: In Tune and On Time   
 Live!: In Tune and On Time

   Year: 2004   
Tracks: 21


In Tune and On Time   
 In Tune and On Time

   Year: 2004   
Tracks: 21


The Private Press   
 The Private Press

   Year: 2003   
Tracks: 15


Milk The Basic Breaks   
 Milk The Basic Breaks

   Year: 2003   
Tracks: 2


Dark Days (Single)   
 Dark Days (Single)

   Year: 2003   
Tracks: 2


At Kcrw Radio   
 At Kcrw Radio

   Year: 2003   
Tracks: 4


Private Press   
 Private Press

   Year: 2002   
Tracks: 14


Bombay The Hard Way : Guns, Cars, and Sitars   
 Bombay The Hard Way : Guns, Cars, and Sitars

   Year: 2000   
Tracks: 10


Preemptive Strike   
 Preemptive Strike

   Year: 1998   
Tracks: 12


Midnight In A Perfect World   
 Midnight In A Perfect World

   Year: 1996   
Tracks: 5


Endtroducing   
 Endtroducing

   Year: 1996   
Tracks: 13


Product Placement   
 Product Placement

   Year:    
Tracks: 2


Entroducing Deluxe Edition CD2   
 Entroducing Deluxe Edition CD2

   Year:    
Tracks: 14


Entroducing Deluxe Edition CD1   
 Entroducing Deluxe Edition CD1

   Year:    
Tracks: 13




DJ Shadow's Josh Davis is wide credited as a key figure in development the experimental subservient hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of blue funk, rock, hip-hop, ambient, nothingness, soul, and used-bin incidentalia. Although he'd already done a scattering of original and yield work out (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him around cathartic "In/Flux" on the starter depression, it wasn't until his association with Mo' Wax that his good began to get on and cohere. Mo' Wax released a longer shape in 1995 -- the 40-minute individual in four-spot movements "What Does Your Soul Look Like," which topped the British indie charts -- and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Dr. Octagon asset the Mo' trip-hop supergroup UNKLE.


Davis grew up in Hayward, CA, a predominantly lower-middle-class suburbia of San Francisco. The odd white suburban rap music fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer apparatus of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early age into the heyday of crews like Eric B. & Rakim, Ultramagnetic MC's, and Public Enemy, groups that prominently featured DJs in their ranks. Davis had already been lilliputian about with qualification beatniks and breaks on a four-track spell he was in high schoolhouse, only it was his move to the NorCal cow town of Davis to serve university that light-emitting diode to the establishment of his possess Solesides label as an sales outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college tuner station, Shadow began cathartic the Reconstructed from the Ground Up mixtapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks bedspread wide through the DJ-strong hip-hop underground, finally catching the attention of Mo' Wax. Shadow's first full-length, Endtroducing..., was released in late 1996 to vast decisive spat in Britain and America. Preemptive Strike, a compilation of early singles, followed in early 1998.


Later that year, Shadow produced tracks for the debut album by UNKLE, a longtime Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His following project came in 1999, with the transformation of Solesides into a raw tag, Quannum Projects. Nearly sixer long time after his debut production album, the right followup, The Private Press, was released in June 2002. The following year Shadow released a conflate album, Diminishing Returns, and in 2004 he released a alive album and DVD, Alive! In Tune and on Time. In 2006 his long-awaited one-third solo album, The Outsider, came out, just instead of following the pattern he put-upon on his past deuce records, Shadow enlisted avail from Bay Area rappers like Keak da Sneak, E-40, and Lateef, as well as David Banner and Q-Tip.





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